{"id":237,"date":"2024-03-19T23:19:21","date_gmt":"2024-03-19T22:19:21","guid":{"rendered":"https:\/\/mariejaouldeponcheville.com\/films\/"},"modified":"2024-05-13T21:02:51","modified_gmt":"2024-05-13T19:02:51","slug":"films","status":"publish","type":"page","link":"https:\/\/mariejaouldeponcheville.com\/en\/films\/","title":{"rendered":"FILMS"},"content":{"rendered":"<h1 style=\"text-align: center;\">FILMS<br>SERIES<br>SCENARIOS<\/h1>\n<h4 style=\"text-align: center;\">ACHIEVED<\/h4>\n<h3 class=\"partie\">Cinema &amp; Television<\/h3>\n<h4> <\/h4>\n<h4 class=\"date\">2007 \/ 2020<\/h4>\n<p>Co-production (France &#8211; Russia) of the Siberian series of &#8220;The Kamchakta Cellist&#8221;.<\/p>\n<h4 class=\"date\">2015<\/h4>\n<h3 class=\"titre_film\"><span style=\"color: #ff9900;\">Eloge du Chardon (In Praise of the Thistle)<\/span><\/h3>\n<p>Portrait of philosopher and writer Andr\u00e9 Glucksmann, who grew up during the Second World War. A member of the Communist Party at the age of 14, he became a Maoist activist after the events of 1968, before becoming associated with the &#8220;new philosophers&#8221; movement. At 75, the author of La Cuisini\u00e8re et le Mangeur d&#8217;hommes has lost none of his youthful rage. He talks about his career, the causes that are close to his heart and the intellectuals who have marked his life, such as Jean-Paul Sartre, Michel Foucault and Anna Politkovskaya, and continues to speak out against war and totalitarianism.<\/p>\n<p><a href=\"https:\/\/www.mariejaouldeponcheville.com\/presse\/#chardon\" data-noir-inline-color=\"\">See awards and reviews<\/a><\/p>\n<div class=\"credits\">Directed by Marie Jaoul de Poncheville<br>Image: Charles Castella and Thomas Bataille<br>Editing: Catherine Quesemand<br>Sound: Agn\u00e8s Szabo<br>Mixing: Nathalie Vidal<br>Executive production: Herv\u00e9 Clerc<br>Produced by Simone Halberstadt Harari (Effervescence)<br>France 5 (Empreintes collection)<br>With the participation of CNC and INA<\/div>\n<h4> <\/h4>\n<h4 class=\"date\">2004 \/ 2007<\/h4>\n<h3 class=\"titre_film\"><span style=\"color: #ff9900;\">Tengri, le bleu du ciel (Tengri, the blue of the sky)<\/span><\/h3>\n<p>A nomadic love story in the heart of today&#8217;s Central Asia, amid the rubble of Soviet rule and the renaissance of nationalities. A young Kyrgyz girl and a Kazakh sinner each try to escape a dead-end story; they manage to find each other and try to conquer their freedom. Breaking away from, and at the same time continuing, ancient traditions, their love story takes them through valleys, mountains, steppes and towns, following the course of the dried-up rivers that once brought life to the land, to their new world: between East and West. They try to invent a place where it would be good to love each other, on earth or in Tengri, the blue of the sky&#8230; The mountains are full of ravines and the roads full of ambushes&#8230; Where will they get to?<\/p>\n<p><a href=\"https:\/\/www.mariejaouldeponcheville.com\/presse\/#tengri\" data-noir-inline-color=\"\">See awards and reviews<\/a><\/p>\n<div class=\"credits\">Directed by Marie Jaoul de Poncheville<br>Screenplay: Marie Jaoul de Poncheville &amp; Jean-Fran\u00e7ois Goyet<br>With the collaboration of : Charles Castella<br>Delegated production : L Films<br>Coproduction: French Production &amp; Arte France Cin\u00e9ma<br>Producers: Emmanuel Schlumberger, Frank M\u00fcller &amp; Talaibek Bapanov<br>Associate producers: Dieter Horres &amp; Anne Devauchelle<br>Artistic director: Charles Castella<br>Director of photography : Sylvie Carcedo<br>Editing: Catherine Quesemand<br>Sound: William Franck<br>Music: Birgit <em>L\u00f8kke<\/em><br>Set design: Kassym Ismailov<br>Costumes: Tatiana Tychinskaia Krasotka<br>Production manager: Pascal Metge &amp; Guillaume de Seille<\/div>\n<div> <\/div>\n<h4> <\/h4>\n<h4> <\/h4>\n<h4 class=\"date\">2001 \/ 2003<\/h4>\n<h3 class=\"titre_film\"><span style=\"color: #ff9900;\">Y\u00f6nden<\/span><\/h3>\n<p>In 1992, Marie Jaoul de Poncheville shot a film in Mongolia, &#8220;Molom, conte de Mongolie&#8221;, a traditional Mongolian tale about a child and a shaman played by the late actor Tsededoi. Nine years later, she returned to see the child in her film and paint a portrait of him.<br>He is 17 years old. Throughout their nine-year separation, they kept in touch thanks to Dr Alain Cantero. Alain Cantero regularly cares for nomads in this region, and in 2001 set up a care caravan that travelled from Karakorum to Lake K\u00f6vsg\u00f6l. Y\u00f6nden lives in the South Kangai region, near Karakorum.<br>The young man now looks after his family. The film shows Y\u00f6nden in his family life and in his responsibilities as expedition leader of the caravan whose journey we film. We film the life of a young Mongolian whose sense of responsibility is formidable and whose joie de vivre immense. Molom had greatly contributed to our knowledge of this magnificent country. We hope that the film Y\u00f6nden will also contribute, in a more contemporary way, to getting to know this country through the portrait of a remarkable young man.<\/p>\n<p><a href=\"https:\/\/www.mariejaouldeponcheville.com\/presse\/#yonden\" data-noir-inline-color=\"\">See awards and reviews <\/a><\/p>\n<div class=\"credits\">A film by Marie Jaoul de Poncheville Produced by Michel Rotman and Marie H\u00e9l\u00e8ne Ranc<br>Screenplay and adaptation by Marie Jaoul de Poncheville (in collaboration with Charles Castella and Pierre Joffroy)<br>Editing: Catherine Quesemand<br>Cinematographer : Jacques Besse \/<br>Sound: Pierre Andr\u00e9<br>Mixing: Olivier Do Huu<br>With the participation of ARTE France \u00a9.<br>Kuiv Productions 2001<\/div>\n<h4> <\/h4>\n<h4 class=\"date\">1999 \/ 2000<\/h4>\n<h3 class=\"titre_film\"><span style=\"color: #ff9900;\">La Projection (The Projection)<\/span><\/h3>\n<p>Filmmaker Abderrahmane Sissako returns to Sokolo, the small village in Mali where he shot &#8220;Life on Earth&#8221;, with the desire to screen the film to share with the villagers this moment of cinema in which they had been the actors and of which they will become the spectators. The film &#8220;La projection&#8221; is the director&#8217;s discreet witness in Sokolo during the screening of his film &#8220;La vie sur terre&#8221;. It&#8217;s not just a screening, but the act of sharing, of giving back to those who played in this film what they gave. The screening is a look at the relationship that has developed between the village and the film crew, and the responsibility the filmmakers have taken on to raise awareness of the life of this small village.<\/p>\n<p><a href=\"https:\/\/www.mariejaouldeponcheville.com\/presse\/#projection\" data-noir-inline-color=\"\">See awards and reviews <\/a><\/p>\n<div class=\"credits\">Director of the medium-length documentary: Marie Jaoul de Poncheville.<br>Director of photography : Jacques Besse<br>Shooting in Mali (Mauritanian border).<br>Production Arte &#8211; Duo films &#8211; Dominant 7.<br>Broadcast by Arte.<br>Released in June 1999 as the 1st part of &#8220;La Vie sur Terre&#8221; by Abderrahmane Sissako.<\/div>\n<div> <\/div>\n<div> <\/div>\n<h4> <\/h4>\n<h4 class=\"date\">1998<\/h4>\n<h3 class=\"titre_film\"><span style=\"color: #ff9900;\">La Vie sur Terre (Life on Earth)<\/span><\/h3>\n<p>In the small village of Sokolo, lost in an oasis in the middle of the Malian desert, the inhabitants are watching over the new millennium. On this occasion, Dramane returns to the village to visit his father. On several occasions, he comes across a young girl on a bicycle from Kourouma, a neighboring village, where they exchange a few brief conversations. Meanwhile, villagers are struggling to contact their loved ones, due to telephone connection problems.<\/p>\n<p>Production Consultant and Artistic Director,<br>Co-author of Abderrahmane Sissako&#8217;s feature film.<br>Produced by Arte and Haut et Court.<br>Broadcast August on Arte and theatrical release June 1999.<\/p>\n<h4 class=\"date\">1995<\/h4>\n<h3 class=\"titre_film\"><span style=\"color: #ff9900;\">Molom, Conte de Mongolie (Molom, Tale of Mongolia)<\/span><\/h3>\n<p>Molom is a traditional Mongolian tale about a child and a venerable shaman (played by the now-deceased Tsededoi).<br>The child is Y\u00f6nden, raised by wolves. From adventures to encounters, the old man teaches wisdom to his young disciple who, at the end of his wanderings, will choose his path: the nomadic life, the solitude of the pilgrim or religious study&#8230;<\/p>\n<p>&#8211; The most beautiful film of the year&#8230;&#8221; NEW YORK TIMES<\/p>\n<p><a href=\"https:\/\/www.mariejaouldeponcheville.com\/presse\/#molom\" data-noir-inline-color=\"\">See other awards and reviews <\/a><\/p>\n<div class=\"credits\">Feature film cinema<br>Director, producer, author.<br>Distribution: Cie des Films and Cin\u00e9ma Public.<br>Salles 1995 release<\/div>\n<p><a href=\"https:\/\/livre.fnac.com\/a1006962\/Marie-Jaoul-De-Poncheville-Molom\" data-noir-inline-color=\"\">Book &#8220;Molom, le Chamane et l&#8217;Enfant&#8221; published by Editions Lattes. <\/a><br>CD: &#8220;Molom, Conte de Mongolie&#8221; (Polygram),<br>film score by John Mc Laughlin and Trilok Gurtu and original Mongolian music.<\/p>\n<h4 class=\"date\">1991<\/h4>\n<h3 class=\"titre_film\"><span style=\"color: #ff9900;\">Treasures of Buddhist Art<\/span><\/h3>\n<p>Director of feature-length documentary filmed in Ukraine, Russia.<br>Produced by the Thyssen-Bornemisza Foundation.<br>&#8220;The Dalai Lama&#8217;s trip to Russia (Kalmykia, Buryatia, Siberia).<br>Director of the feature-length documentary.<br>Production Meridian Trust, London.<\/p>\n<h4 class=\"date\">1990<\/h4>\n<h3 class=\"titre_film\"><span style=\"color: #ff9900;\">Lungta, the Wind Riders<\/span><\/h3>\n<p>Life for the Tibetan people, forty years after the Chinese invasion.<br>Filmed in Amdo and Kham, regions forgotten by the world and until now completely off-limits to film-makers and journalists, this is an exceptional document on humanity&#8217;s most mysterious civilization, now threatened with extinction.<br>An introduction by His Holiness Tenzin Gatso, the 14th Dalai Lama, exiled since 1959 to Dharamsala in India, opens the film.<\/p>\n<p><a href=\"https:\/\/www.mariejaouldeponcheville.com\/presse\/#lungta\" data-noir-inline-color=\"\">See awards and reviews <\/a><\/p>\n<div class=\"credits\">Script Marie Jaoul de Poncheville<br>Cinematographer : Nurith Aviv<br>Voice-over text: Pierre Joffroy and Andrew Harvey<br>With the voice of Isabelle Adjani for France and Richard Gere for the USA.<br>Production Lungta Productions \/FProductions<br>Released in Paris, France and abroad.<br>TV broadcast: TF1, M6, FR2, FR3.<\/div>\n<h4> <\/h4>\n<h4> <\/h4>\n<h4 class=\"date\">1989<\/h4>\n<p>Production of the following documentaries:<br>&#8220;<strong><span class=\"titre_film2\" style=\"color: #ff9900;\">Summer in Tibet<\/span><\/strong>&#8220;Unit by Mich\u00e8le Cotta, broadcast by TF1,<br>&#8220;<span style=\"color: #ff9900;\"><strong><span class=\"titre_film2\">Seven Women in Tibet in the footsteps of Alexandra David-N\u00e9el<\/span><\/strong><\/span>&#8220;<br>Just a few weeks after the bloody crackdown on China&#8217;s pro-democracy movement, eight women were granted permission by the Chinese government to travel to Tibet along the route opened by the great explorer Alexandra David-N\u00e9el.<\/p>\n<p>Feature-length documentary.<br>Produced by Lungta Productions. Unit Pascale Breugnot, TF1.<br>Broadcast on FR2, TF1, M6, La Cinqui\u00e8me and Canal +.<\/p>\n<h4 class=\"date\">1988\/ 1987 \/ 1986 \/ 1985<\/h4>\n<p>Production of the following documentaries:<br>&#8221; <strong><span class=\"titre_film2\" style=\"color: #ff9900;\">In Search of Eternity <\/span><\/strong>&#8220;Diff. M6,<br>&#8221; <strong><span class=\"titre_film2\" style=\"color: #ff9900;\">Tibetans in exile <\/span><\/strong>&#8220;Diff. TF1,<br>&#8221; <strong><span class=\"titre_film2\" style=\"color: #ff9900;\">The Long Life Pill <\/span><\/strong>&#8220;Diff. The Fifth,<br>&#8221; <strong><span class=\"titre_film2\" style=\"color: #ff9900;\">Le Temps Retrouv\u00e9 <\/span><\/strong>&#8220;(Nepal) Diff. TF1.<\/p>\n<p>And also :<br>&#8221; <strong><span class=\"titre_film2\" style=\"color: #ff9900;\">Loxin, the initiation of a young shaman<\/span><\/strong> &#8220;. Adaptation, screenplay and co-producer of the feature-length documentary by Franz-Christoph Giercke. Broadcast by FR3,FR2.<br>&#8221; <strong><span class=\"titre_film2\" style=\"color: #ff9900;\">The god of dance <\/span><\/strong>&#8220;. Co-producer and French adaptation of the feature-length documentary<br>Cin\u00e9ma by Richard Kohn: DiffusionTV: Arte. Theatrical release, Paris, Province, Abroad.<\/p>\n<p>1985: &#8220;Les Salons de Marie&#8221;, novel co-written with Arnaud Marty-Lavauzelle, Editions Carr\u00e8re<br>1984: Creator of Editions Marie de Poncheville \/Livres Cl\u00e9s en mains&#8221;.<br>1982: Journalist (Cosmo, La Croix, Elle, Femme, Figaro Magazine, Globe, Vogue &#8230;)<br>1981: Founder and Managing Director of Editions 5 Continents (general literature)<br>1978: Literary Director of Editions Tchou<br>1977: Head of Youth Programs at SFP<br>1975: Journalist at Bayard Presse and Editor at Journal Pomme d&#8217;Api<br>1974: &#8220;Maman, j&#8217;ai peur&#8221; Editions Elp<\/p>\n<h3 class=\"partie\" style=\"text-align: center;\">SCRIPTS WRITTEN OR IN PROGRESS<\/h3>\n<h4 class=\"date\">2012 \/  2026<\/h4>\n<h3 class=\"titre_film\"><span style=\"color: #339966;\">Aux Sources de l&#8217;Amour<\/span><\/h3>\n<p class=\"titre_film\"><span data-noir-inline-color=\"\">(being written in collaboration with Dominique Jaoul)<br><\/span>Lise Barbier &#8211; Cristiani&#8217;s crossing of Siberia, a young cello prodigy in the mid-19th century.<\/p>\n<h3 class=\"titre_film\"><span style=\"color: #ff9900;\">Elisa<\/span><\/h3>\n<p>A young modern cellist goes in search of Lise Barbier &#8211; Cristiani.<\/p>\n<h3 class=\"titre_film\"><span style=\"color: #ff9900;\">My good earth<\/span><\/h3>\n<p>A great Mongolian saga, the return to her roots of a woman in the middle of her life.<br>(With the collaboration of Marie-H\u00e9l\u00e8ne Rudel)<\/p>\n<h3 class=\"titre_film\"><span style=\"color: #ff9900;\">Saran &amp; Yona<\/span><\/h3>\n<p>The story of two Mongolian girls, one an opera singer and the other an ecology researcher.<br>(With the collaboration of Marie-H\u00e9l\u00e8ne Rudel)<\/p>\n<h3 class=\"titre_film\"><span style=\"color: #ff9900;\">Tulum<\/span><\/h3>\n<p>Federico Fellini&#8217;s last trip to Mexico with Carlos Castaneda.<br>(With the collaboration of Henri Gougaud)<\/p>\n<h3 class=\"titre_film\"><span style=\"color: #ff9900;\">Oriane Peyr\u00e8des, the diary of a schoolteacher<\/span><\/h3>\n<p>The story of a young teacher appointed to a small school in the C\u00e9vennes.<\/p>\n<div class=\"button_su\"> <\/div>\n\n\n<h2 class=\"wp-block-heading has-text-align-center\">Film clips<\/h2>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"7 FILMS DE MARIE JAOUL DE PONCHEVILLE.mov\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/qz3pgNU0ls8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>FILMSSERIESSCENARIOS ACHIEVED Cinema &amp; Television 2007 \/ 2020 Co-production (France &#8211; Russia) of the Siberian series of &#8220;The Kamchakta Cellist&#8221;. [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-237","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/mariejaouldeponcheville.com\/en\/wp-json\/wp\/v2\/pages\/237","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mariejaouldeponcheville.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/mariejaouldeponcheville.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/mariejaouldeponcheville.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mariejaouldeponcheville.com\/en\/wp-json\/wp\/v2\/comments?post=237"}],"version-history":[{"count":0,"href":"https:\/\/mariejaouldeponcheville.com\/en\/wp-json\/wp\/v2\/pages\/237\/revisions"}],"wp:attachment":[{"href":"https:\/\/mariejaouldeponcheville.com\/en\/wp-json\/wp\/v2\/media?parent=237"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}