{"id":235,"date":"2024-03-19T23:19:40","date_gmt":"2024-03-19T22:19:40","guid":{"rendered":"https:\/\/mariejaouldeponcheville.com\/press\/"},"modified":"2024-03-19T23:19:40","modified_gmt":"2024-03-19T22:19:40","slug":"press","status":"publish","type":"page","link":"https:\/\/mariejaouldeponcheville.com\/en\/press\/","title":{"rendered":"PRESS"},"content":{"rendered":"<h1 id=\"text\" style=\"text-align: center;\"><span class=\"char\">P<\/span><span class=\"char\">R<\/span><span class=\"char\">E<\/span><span class=\"char\">S<\/span><span class=\"char\">S<\/span><span class=\"char\">E<\/span><\/h1>\n<p>&nbsp;<\/p>\n<h3 class=\"titre_film\"><a id=\"chardon\"><\/a><span style=\"color: #0000ff;\">L&#8217;\u00e9loge du Chardon (Praise for Thistle)<\/span><\/h3>\n<h4><span class=\"prix\">Press : <\/span><\/h4>\n<p>&#8220;Suddenly, in front of the images of Marie Jaoul de Poncheville and Charles Castella, we realized that this man, so criticized, sometimes so abused for this or that of his commitments, aroused enmities commensurate with his uprightness.&#8221;<br \/>\n<strong><span class=\"source\">MARIANNE <\/span><\/strong><\/p>\n<h3 class=\"titre_film\"><a id=\"tengri\"><\/a><span style=\"color: #0000ff;\">Tengri, the blue of the sky<\/span><\/h3>\n<h4><span class=\"prix\">Price : <\/span><\/h4>\n<p>&#8211; Official selection of the 2009 Cannes Film Festival.<\/p>\n<p>&#8211; Tengri, the blue of the sky has been selected to represent Kyrgyzstan at the HOLLYWOOD OSCARS 2008<\/p>\n<p>&#8211; Sarlat Festival: Grand Prix du Public and Coup de C\u0153ur 2009<\/p>\n<p>&#8211; Tunis International Film Festival: Grand Prix 2009<\/p>\n<p>&#8211; WIFTS Awards: Members of an international jury have determined the winner in the film categories :<br \/>\nBest Film and best director: Tengri, Le Bleu Du Ciel, by Marie Jaoul de Poncheville<\/p>\n<h4><span class=\"prix\">Press : <\/span><\/h4>\n<p>&#8220;Written and directed with intelligence and extreme sensitivity by Marie Jaoul de Poncheville, this highly topical film is set in Central Asia, and more specifically in Kyrgyzstan.<br \/>\nIn this country, as in the rest of the region, there&#8217;s a lot of rubble from the Soviet empire, and everyone&#8217;s energy is focused on finding their roots. In the background, Afghanistan and its never-ending rumblings of war, with the West taking center stage.<br \/>\nAs for the story, it is rooted in the most beautiful thing human beings have to offer: love.&#8221;<br \/>\n<strong><span class=\"source\">L&#8217;EXCELLENCE MAGAZINE AUTUMN 2009 SPECIAL ISSUE N\u00b032 <\/span><\/strong><\/p>\n<p>&#8211; It&#8217;s a fascinating, multi-faceted and above all beautiful film: the landscapes, the music, the women. You come out of it overwhelmed and happy to have understood a little more about the beauty and harshness of the world.&#8221;<br \/>\n<strong><span class=\"source\">OLGA MOREL <\/span><\/strong><\/p>\n<p>&#8211; &#8220;Blue in the soul and thirsting for freedom in landscapes of rugged and extreme beauty, Tengri is a journey to be undertaken.&#8221;<br \/>\n<strong><span class=\"source\">LE FIGARO <\/span><\/strong><\/p>\n<p>&#8211; The film&#8217;s challenges are simple and legitimate: to tell a beautiful love story in the magnificent Kyrgyz countryside, to evoke the difficulty for a man to rebuild his life in a precarious social context, and for a woman to conquer her autonomy.&#8221;<br \/>\n<strong><span class=\"source\">LE MONDE <\/span><\/strong><\/p>\n<h3 class=\"titre_film\"><a id=\"yonden\"><\/a><span style=\"color: #0000ff;\">Y\u00f6nden<\/span><\/h3>\n<h4><span class=\"prix\">Press : <\/span><\/h4>\n<p>&#8211; An introspective poem sublimated by Charlotte Rampling&#8217;s warm voice and an initiatory quest, the film Y\u00f6nden is much more than a documentary; it&#8217;s a happy miracle that makes us want to say to the author these words she addresses to Y\u00f6nden at the end of the film:<br \/>\n&#8220;May you never tire of being in this world! &#8221; &#8221;<br \/>\n<strong><span class=\"source\">LIBERATION <\/span><\/strong><\/p>\n<p>&#8220;The words are few and carefully chosen, whispered by Charlotte Rampling.<br \/>\nThe images (of the vastness of the Mongolian steppe, of the faces and gestures of Dr. Alain Cantero, the film&#8217;s other great character) stand on their own. Excerpts from Molom are mixed in with the documentary. Y\u00f6nden is as big a star yesterday as he is today&#8230;&#8221;.<br \/>\n<strong><span class=\"source\">T\u00c9L\u00c9RAMA <\/span><\/strong><\/p>\n<p>&#8220;The charm of this film lies in its nomadic slowness,<br \/>\nwhich is simply the rhythm of nature, and to capture it with patience,<br \/>\nlife events.&#8221;<br \/>\n<strong><span class=\"source\">T\u00c9L\u00c9 CIN\u00c9 OBS <\/span><\/strong><\/p>\n<h3 class=\"titre_film\"><a id=\"projection\"><\/a><span style=\"color: #0000ff;\">La Projection (Th Projection)<\/span><\/h3>\n<h4><span class=\"prix\">Press : <\/span><\/h4>\n<p>&#8220;But there&#8217;s no denying that Marie Jaoul&#8217;s Projection-l\u00e0 possesses the grace of a first time. Rarely has the physical, almost tactile beauty of the cinema screen been rediscovered in this way.<br \/>\n<strong><span class=\"source\">LES CAHIERS DU CIN\u00c9MA n\u00b0536 <\/span><\/strong><\/p>\n<p>&#8211; Like Abderrahmane Sissako&#8217;s beautiful film &#8220;La vie sur terre&#8221; (Life on Earth), to which it is a sequel, this documentary picks Sokolo&#8217;s little events as they come.<br \/>\nHe captures the conversations of the villagers with real joy. For us, Aberrahmane Sissako&#8217;s visit is an opportunity to meet these Africans. Young people talk about their refusal to be dispossessed of the fruits of their labor by their fathers. This screening introduces a break in village life and imposes its festive dimension. The installation of the projectors and the sheet to be used as a screen is followed attentively by the children. Laughing eyes are fixed on the makeshift screen, and amazed smiles appear on their faces. &#8220;La Vie sur terre&#8221; is back in Sokolo, and cinema is back with Marie Jaoul de Poncheville.<br \/>\n<strong><span class=\"source\">LE MONDE <\/span><\/strong><\/p>\n<h3 class=\"titre_film\"><a id=\"molom\"><\/a><span style=\"color: #0000ff;\">Molom<\/span><\/h3>\n<h4><span class=\"prix\">Price : <\/span><\/h4>\n<p>Selected for numerous national and international festivals: New York, Chicago, San Francisco, Berkeley, Toronto, Barcelona, London<br \/>\n&#8211; Chicago International Children Film Festival Award<br \/>\n&#8211; Prix de Cannes Junior<br \/>\n&#8211; Beirut Prize<\/p>\n<h4><span class=\"prix\">Press : <\/span><\/h4>\n<p>&#8211; The most beautiful film of the year&#8230;&#8221;<br \/>\n<strong><span class=\"source\">NEW YORK TIMES <\/span><\/strong><\/p>\n<p>&#8211; &#8220;One cannot forget in front of these images that filmmakers like Kurosawa (&#8220;Derzou Ouzala&#8221;) evoked a similar climate&#8230;it will seduce the audience.&#8221;<br \/>\n<strong><span class=\"source\">ELLE <\/span><\/strong><\/p>\n<p>&#8211; A rare film with superb images, whose hedonistic and spiritual reverberations wash away the eyes-and hearts-of too many distressing images.<br \/>\n<strong><span class=\"source\">STUDIO MAGAZINE <\/span><\/strong><\/p>\n<h3 class=\"titre_film\"><a id=\"lungta\"><\/a><span style=\"color: #0000ff;\">Lungta, the wind riders<\/span><\/h3>\n<h4><span class=\"prix\">Press : <\/span><\/h4>\n<p>&#8220;Man is a reparable disaster. He has his mouth to pray, his hands to knead offerings and remake what has been broken. He suffers, but he would suffer even more if he didn&#8217;t have his magic.&#8221;<br \/>\nForty-one years after China invaded Tibet, six million Tibetans and one hundred thousand exiles scattered around the world still dream of reunification and self-determination&#8230;<br \/>\nMarie Jaoul de Poncheville filmed &#8220;Lungta, les cavaliers du vent&#8221; in the Amdo and Kham regions, previously off-limits to filmmakers and journalists. The film captures the daily struggle of this people to keep their traditions alive and their pacifist philosophy alive. The stunningly beautiful images are complemented by a poetically informative text by Pierre Joffroy and Andrew Harvey, narrated by Isabelle Adjani.<br \/>\n<strong><span class=\"source\">Brigitte Baudin in FIGARO October 1990<\/span><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>PRESSE &nbsp; L&#8217;\u00e9loge du Chardon (Praise for Thistle) Press : &#8220;Suddenly, in front of the images of Marie Jaoul de [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-235","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/mariejaouldeponcheville.com\/en\/wp-json\/wp\/v2\/pages\/235","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mariejaouldeponcheville.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/mariejaouldeponcheville.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/mariejaouldeponcheville.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mariejaouldeponcheville.com\/en\/wp-json\/wp\/v2\/comments?post=235"}],"version-history":[{"count":0,"href":"https:\/\/mariejaouldeponcheville.com\/en\/wp-json\/wp\/v2\/pages\/235\/revisions"}],"wp:attachment":[{"href":"https:\/\/mariejaouldeponcheville.com\/en\/wp-json\/wp\/v2\/media?parent=235"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}